Content |
- Samplesets Downloads
- 1627, Various, Forcalquier
- 1643, Bader, Zutphen
- 1673, Mundt, Prague
- 1680, Arp Schnitger, Cappel
- 1681, Richborn, Buttforde
- 1686, Bosch/Schn, Vollenhove
- 1699, A. Starck, Zlata Koruna
- 1719, Radek./Garrels, Anloo
- 1721, Arp Schnitger, Zwolle
- 1721, Silbermann, Rotha
- 1730, Trost, Waltershausen
- 1732 SilbermannEbersmunster
- 1735, Silbermann, Freiberg
- 1738, Muller, Haarlem
- 1741, Silbermann, Grossh.
- 1741, Muller, Oosterwijtwerd
- 1741, Hinsz, Kampen
- 1742, Silbermann, Zoblitz
- 1755, De Backer, Gapinge
- 1770, Nacchini-Dacci, Izola
- 1772, Midwolda
- 1775, Isnard, St. Maximin
- 1778, Pazicky, Pusztaszabolcs
- 1793, Reis, Rabstejn nad Str.
- 1824, Lohman, Heusden
- 1831, Batz/Witte, Utrecht
- 1832, Van Dam, Tholen
- 1842, Batz, Mijdrecht
- 1843, Batz, Zeist
- 1844, Engelfried, Gonningen
- 1864, Ibach, Bergen op Zoom
- 1874, Schyven/Bever, Brussels
- 1885, Cavaille Coll, Caen
- 1885, Ladegast, Wernigerode
- 1887, Father Willis, Salisbury
- 1892, Father Willis, Hereford
- 1901, J.J. Binns, Haverhill
- 1902, Mutin/C.C., St Eucaire
- 1903, Mutin/CavailleColl, Metz
- 1904, Sauer, Dortmund
- 1907, Brindley, Moseley
- 1909, Rieger-Kloss, Matyas
- 1915, Furtwangler, Wustrow
- 1916, Walcker, Doesburg
- 1928, E.M. Skinner, Chicago
- 1959, Marcussen, Rotterdam
- 1965, Marcussen, Moerdijk
- 1973, Marcussen, Rotterdam
- 1975, Flentrop, Schiedam
- 1979, Fuhrer, Riddagshausen
- 1980, Grenzing, Menesterol
- 1997, Mathis, Görlitz
- 1997, Steendam, Apeldoorn
- 2001, Grygar, Litomysl
- 2003, Dieter Ott
- 2006, Pecsi-Muehl., Budapest
- 2006, Baumhoer, Stieghorst
- 2007, Mocnik, Velesovo
- 2007, Prib
- 2009, Formentelli, Rieti
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List Samplesets |
Below is a table of commercial organ samplesets that were released since 2006.
On Hauptwerk samplesets are (almost) all available samplesets.
See also Downloadable (freeware, shareware, trial) Samplesets.
A list of Organ ID's (unique number) of the sample sets can be found at: PCorgan forum: Overzichtslijst van OrganID's
Caution!
- The prices (in EURO) are indications. Sometimes there are shipping costs.
- I try to actualize the prices regular, but it is possible that here an 'old' price is shown.
- I try to show the price 'inclusive VAT' (tax), but verify this always on the site of the supplier! Sometimes there is no VAT applied when you buy a 'download' version.
- Quality indication:
- 24=24 bit / 16=16 bit (Explanation: 24 bit/16 bit)
- M=Multiple release samples (Explanation: Multiple release samples)
- S=Multi (stereo)channel (Surround) (Explanation: Surround)
- T=With tremulant samples (t=small part of the stops is recorded inclusive tremulant)
- The GB column is an indication for the required RAM.
It's the amount of memory that is needed for 'Hauptwerk + sampleset' (exclusive Windows) with the 'default memory adjustments': 16 bit, stereo (not surround), lossless compression, multiple releases, multiple loops.
When you use 'single loops' (less loss of quality) the required memory can be lowered further (dependent on sampleset).
See Memory reduction for Samplesets for more possibilities to reduce memory.
|
Rel. |
Description |
Na. |
Producer |
Type |
Size |
GB |
Price |
Ind. |
20/09 |
1975 Flentrop, Schiedam |
NL |
Sygsoft |
Neo Barok |
39/III+P |
26,9 |
450 |
24MST |
19/12 |
1692 Arp Schnitger, Martini, Groningen |
NL |
Sonus Paradisi |
Baroque |
53/3+P |
12.4 |
1013 |
24MST |
19/12 |
1956 Steinmeyer Valley |
DE |
Forestpipes |
Late romantic |
55/III+P |
7.0 |
416 |
24M |
19/04 |
1754 Van Deventer orgel, Nijkerk |
NL |
Voxus organs |
Baroque |
23/II+P |
5.4 |
199 |
24MST |
19/04 |
1923/98 Elbertsen/Adema, Rotterdam |
NL |
Sygsoft |
Romantic |
43/III+P |
7.6 |
649 |
24MST |
19/02 |
1771 Micot, St. Pons-de-Thomičres |
FR |
Sonus Paradisi |
Baroque |
30/3+P |
5.8 |
230 |
24MST |
19/01 |
1893 Furtwängler & Hammer orgel, Königslutter |
DE |
Pipeloops |
Romantic |
43/3+P |
5.6 |
350 |
24MST |
19/01 |
1961 Stahlhuth, Aachen |
HU |
Augustine's VO |
Modern |
29/3+P |
6.0 |
109 |
24MS |
18/10 |
1850 ?, Ada |
SR |
Augustine's VO |
Romantic |
25/2+P |
6.0 |
79 |
24MS |
18/11 |
1838 Serassi, S. Maria in Campagna, Piacenza |
IT |
Sonus Paradisi |
Italian |
57/2+P |
6.1 |
363 |
24MST |
18/09 |
1990 Yokota Centennial Organ, Chico, CA |
US |
Sonus Paradisi |
Barok |
35/2+P |
6.6 |
327 |
24MST |
18/08 |
1860 William Hill, Burton / Berlijn |
DE |
Sonus Paradisi |
Romantic |
48/3+P |
6.8 |
244 |
24MST |
18/05 |
1995 Casavant, Bellevue, Washington |
US |
Sonus Paradisi |
Barok |
73/3+P |
8.2 |
192 |
24MST |
18/07 |
1938 Rieger, Szombathely |
HU |
Augustine's VO |
Romantic |
20/3+P |
4.0 |
59 |
24MS |
18/06 |
1987 ?, Szentgotthard |
HU |
Augustine's VO |
Baroque |
19/2+P |
4.0 |
79 |
24MS |
18/04 |
1953 Ziegler, Sepsiszentgyorgy |
RO |
Augustine's VO |
Modern |
42/3+P |
7.0 |
129 |
24MS |
18/01 |
1894 Rieger, Kanta |
HU |
Augustine's VO |
Romantic |
16/2+P |
4.0 |
69 |
24MS |
17/11 |
1879 Országh, Bakáts |
HU |
Augustine's VO |
Modern |
24/2+P |
8.0 |
89 |
24MS |
17/08 |
1999 Aquincum, Savaria |
HU |
Augustine's VO |
Modern |
54/3+P |
16.0 |
169 |
24MS |
17/03 |
2006 Ujpest, Esztergom |
HU |
Augustine's VO |
Modern |
28/2+P |
16.0 |
109 |
24MS |
16/11 |
1720 Rieger, Esztergom |
HU |
Augustine's VO |
Romantic |
30/3+P |
8.0 |
109 |
24MS |
16/05 |
1957 Klais, Szikszó |
HU |
Augustine's VO |
Modern |
41/3+P |
16.0 |
119 |
24MS |
18/05 |
1731 Silbermann, Reinhardtsgrimma, Germ. |
DE |
OrganART Media |
Baroque |
20/2+P |
1.6 |
345 |
24MST |
18/03 |
1776 Tadeo Ortega, Spain |
SP |
OrganART Media |
Spanish |
10/1 |
1.0 |
175 |
24M |
18/02 |
1766 J.H.H. Bätz, De Pollen |
NL |
Akker orgels |
Barok |
6/1+P |
1.8 |
40 |
24M |
18/01 |
1912/2002 Stahlhuth/Jann, Dudelange |
LU |
Voxus organs |
Symphonic |
78/4+P |
15.5 |
749 |
24MT |
17/12 |
1727 Klapmeyer, Altenbruch |
DE |
Sonus Paradisi |
Barok |
35/3+P |
7.4 |
363 |
24MST |
17/11 |
2007 Eisenbarth St. Peter und Paul, Waldkirchen |
DE |
Forestpipes |
Modern |
62/IV+P |
8.0 |
476 |
24M |
17/11 |
1772 Hinsz, Dorpskerk Midwolda |
NL |
Sonus Paradisi |
Barok |
33/2+P |
5.5 |
394 |
24MST |
17/09 |
1864 Ibach 2011 Verschueren Bergen op Zoom |
NL |
Sonus Paradisi |
Romantic |
42/3+P |
6.8 |
508 |
24MS |
17/07 |
1928 Reuter 227, Portland, Oregon |
US |
Sonus Paradisi |
Romantic |
80/4+P |
8.9 |
629 |
24MST |
17/03 |
1869 Schulze, St Bartholomew, Armley |
GB |
Lavender Audio |
Romantic |
57/4+P |
9.0 |
370 |
24MST |
17/03 |
1987 Rosales, Trinity Episc. Church, Portland |
US |
Sonus Paradisi |
Romantic |
58/3+P |
9.3 |
653 |
24MST |
17/01 |
2012 Metzler, Kloosterkerk Poblet (56/III+P) |
SP |
OrganART Media |
Modern |
56/3+P |
7.5 |
595 |
24MT |
17/01 |
1843, Batz, Oude Kerk, Zeist |
NL |
Sygsoft |
Romantic |
23/2+P |
4.3 |
331 |
24MST |
16/12 |
1808/1929 St. Benedict Scorze, Venice |
IT |
Inspired Acoustics |
Baroque |
20/2+P |
5.2 |
143 |
24M |
16/12 |
1957 Aeolian-Skinner, op. 1301, Oakland |
US |
Sonus Paradisi |
Romantic |
45/3+P |
5.8 |
301 |
24MST |
16/11 |
1500/1653 St. Valentinus Dionysius, Kiedrich |
DE |
Sonus Paradisi |
Baroque |
21/2+P |
4.0 |
156 |
24MST |
16/09 |
1643/1814/1996 Bader/Timpe/Reil, Zutphen |
NL |
Sonus Paradisi |
Baroque |
38/3+P |
11.3 |
422 |
24MST |
16/06 |
1737 Clicquot organ Notre Dame, Rozay-en-Brie |
FR |
Sonus Paradisi |
Fr. baroque |
26/3+P |
5.0 |
314 |
24MSt |
16/05 |
1766 Karl Joseph Riepp Heilig-Geist, Ottobeuren |
DE |
OrganART Media |
Baroque |
27/2+P |
3.5 |
395 |
24MT |
16/04 |
1738 Müller, Bavo kerk, Haarlem (surround) |
NL |
Voxus organs |
Baroque |
62/3+P |
31 |
949 |
24MST |
16/04 |
1869 Schulze, St Bartholomew, Armley Vol 1 |
GB |
Lavender Audio |
Romantic |
32/3+P |
4.7 |
254 |
24MST |
16/03 |
1765 Streussel, Maria church, Hrade Kralove |
CZ |
Sonus Paradisi |
Baroque |
22/2+P |
2.9 |
79 |
24M |
16/02 |
1987 Aquincum, Szentgotthárd |
HU |
Augustine's VO |
Neobaroque |
19/2+P |
4.0 |
59 |
24M |
16/01 |
1913 Walcker, Wildervank |
NL |
Virtual Pipes |
Romantic |
25/2+P |
12 |
249 |
24MST |
15/12 |
1990 Pels en van Leeuwen, Heusden |
NL |
Sygsoft |
Neo barok |
6/1+P |
0.8 |
75 |
24MS |
15/12 |
1933 Anton Feith, Dingelstädt |
DE |
Sonus Paradisi |
Romantic |
44/3+P |
6.6 |
435 |
24MST |
15/12 |
1787 J.N. Holzhey, Weissenau |
DE |
Prospectum |
Classical |
41/3+P |
7.0 |
199 |
24MS |
15/12 |
1874 Buckow-Rieger, Komarom |
HU |
Augustine's VO |
Romantic |
51/3+P |
8.0 |
99 |
24M |
15/11 |
1962 Steinmeyer, St. Magnus, Marktoberdorf |
DE |
Pipeloops |
Romantic |
31/2+P |
5.2 |
242 |
24MST |
15/10 |
1703/2006 Casparini/Mathis Sonnenorgel,Görlitz |
DE |
Sonus Paradisi |
Symphonic |
87/4+P |
13.1 |
966 |
24MSt |
15/07 |
1831 Alderano C. Spada e Figli, Greccio |
IT |
Sonus Paradisi |
Baroque |
15/1+P |
1.3 |
47 |
24M |
15/05 |
1824 N.A. Lohman&Zn, Catharinakerk Heusden |
NL |
Sygsoft |
Romantic |
29/2+P |
4.3 |
331 |
24MSt |
15/04 |
1687 Arp Schnitger, Steinkirchen, Germany |
DE |
OrganART Media |
Baroque |
28/2+P |
3.0 |
445 |
24MST |
15/04 |
1960 Walcker-Organ, Bad Ems church, Miskolc |
HU |
Augustine's VO |
Neo barok |
38/3+P |
7.0 |
85 |
24M |
15/02 |
1911 Angster, Kormend Catholic Church |
HU |
Augustine's VO |
Romantic |
26/2+P |
3.0 |
49 |
24M |
15/01 |
1738 Müller, Bavo kerk, Haarlem |
NL |
Voxus organs |
Baroque |
62/3+P |
15.9 |
749 |
24MT |
14/12 |
Claviorganum Sonus Paradisi |
CZ |
Sonus Paradisi |
Claviorganum |
16/2+P |
1.4 |
83 |
24M |
14/12 |
2002 Miklós Gálos, Buda Hills |
HU |
Augustine's VO |
Neo barok |
17/2+P |
4.0 |
40 |
24MS |
14/12 |
1983 Jehmlich, Kecskemet |
HU |
Augustine's VO |
Neo barok |
40/3+P |
5.9 |
89 |
24M |
14/11 |
1959 Marcussen, Trans., Laurensk., Rotterdam |
NL |
Sonus Paradisi |
Neo barok |
31/3+P |
5.1 |
224 |
24MSt |
14/10 |
1997 Wilbrand, Saint Peter's, Heppenheim |
DE |
Inspired Acoustics |
Symphonic |
43/3+P |
10.1 |
209 |
24M |
14/10 |
1994 BAG, GKV, Marienberg |
NL |
Van den Akker |
Neo barok |
19/2+P |
2.3 |
70 |
24MT |
14/10 |
1981 Gebr. Oberlinger, Bonn-Beuel |
DE |
Pipeloops |
Fr. romantic |
61/3+P |
6.5 |
436 |
24MS |
14/09 |
1836-1839 Buchholz, Brasov |
RO |
Sonus Paradisi |
Romantic |
63/4+P |
6.8 |
418 |
24MS |
14/09 |
1980 Jehmlich , Szombathely |
HU |
Augustine's VO |
Neo barok |
23/2+P |
5.2 |
69 |
24MS |
14/08 |
1880 Joseph Angster, Hajós |
HU |
Augustine's VO |
Romantic |
16/2+P |
3.8 |
39 |
24MS |
14/06 |
1987 Hermann Eule, Szombathely |
HU |
Augustine's VO |
Modern barok |
16/2+P |
4.4 |
49 |
24MS |
14/06 |
1855 Cavaillé-Coll, St. Omer |
FR |
Sonus Paradisi |
Fr. romantic |
49/4+P |
8.0 |
452 |
24MSt |
14/05 |
1999 Rieger, Scots' Church, Melbourne |
AU |
Inspired Acoustics |
Symphonic |
64/4+P |
11.4 |
413 |
24M |
14/05 |
1658/1658/1979 Budapest Organ Factory, Vasvár |
HU |
Augustine's VO |
Eclectic |
38/3+P |
7.1 |
99 |
24M |
14/05 |
1888 Gradussen, St. Blasius, Beckum |
NL |
Virtual Pipes |
Romantic |
7/1+P |
0.5 |
30 |
24M |
14/04 |
1981 Modern Organ of Zalalövö parish church |
HU |
Augustine's VO |
Modern Baroque |
15/2+P |
3.6 |
39 |
24M |
14/03 |
1997 Steendam, Eben-Haëzerkerk, Apeldoorn |
NL |
Sygsoft |
Modern |
31/2+P |
5.6 |
281 |
24MST |
14/03 |
1787 Joseph Silberbauer, Kdousov |
CZ |
Sonus Paradisi |
Baroque |
16/2+P |
2.0 |
73 |
24M |
14/02 |
1681 Joachim Richborn, Buttforde |
DE |
Dirk Menzenbach |
Baroque |
09/1+P |
1.0 |
120 |
24M |
13/11 |
1750 San Giovanni Battista, Atri |
IT |
Midi Pipe Organ |
Italian |
13/1+P |
2.6 |
57 |
24M |
13/11 |
1985 Santa Maria degli Angeli, Bisenti |
IT |
Midi Pipe Organ |
Italian |
21/2+P |
5.2 |
99 |
24M |
13/11 |
1752 Johannes Hahn, Kolozsvar |
RO |
Inspired Acoustics |
Baroque |
35/3+P |
15.1 |
249 |
24MS |
13/10 |
1987 Holy Spirit church organ, Budapest |
HU |
Augustine's VO |
Modern |
49/3+P |
7.2 |
99 |
24M |
13/10 |
1982 Mense Ruiter positief, Petruskerk, Leens |
NL |
Sygsoft |
Positief |
7/1+P |
0.7 |
50 |
24M |
13/09 |
1793 Luber Organ of Catholic Church, Császár |
HU |
Augustine's VO |
Baroque |
10/2+P |
4.0 |
40 |
24M |
13/09 |
1930 Rieger Organ of Reformed Church, Monor |
HU |
Augustine's VO |
Romantic |
21/2+P |
6.0 |
30 |
24M |
13/09 |
1745 J.A. Silbermann, Wasselone |
FR |
Jeux d'orgues |
Baroque |
30/3+P |
2.3 |
99 |
24M |
13/08 |
1770-1990. Organ of Norbertine's Church Zsámbék |
HU |
Augustine's VO |
Baroque |
20/2+P |
6.0 |
60 |
24M |
13/08 |
1916 Walcker, Martinikerk, Doesburg, Nederland |
NL |
Sonus Paradisi |
Romantic |
75/4+P |
10.0 |
871 |
24MST |
13/05 |
1885 Friedrich Ladegast, Wernigerode/Harz |
DE |
OrganART Media |
Romantic |
33/3+P |
2.6 |
315 |
24M |
13/04 |
1832 Van Dam, Tholen |
NL |
Voxus organs |
Romantic |
29/3+P |
12.0 |
349 |
24MST |
13/04 |
1742 Silbermann, Zöblitz |
DE |
Prospectum |
Baroque |
20/2+P |
2.4 |
99 |
24MSt |
12/12 |
1903 Ernst Röver, Ditfurt |
DE |
Pipeloops |
Romantic |
33/2+P |
3.5 |
199 |
24M |
12/12 |
1902 Cavaillč-Coll/Mutin, Saint Eucaire, Metz |
FR |
Milan digital audio |
Fr. romantic |
18/2+P |
2.9 |
100 |
24MSt |
12/11 |
1973 Marcussen, Laurenskerk, Rotterdam |
NL |
Sonus Paradisi |
Large modern |
85/4+P |
14.5 |
704 |
24MST |
12/11 |
1973 Marcussen, Laurenskerk, Rotterdam Dry |
NL |
Sonus Paradisi |
Large modern |
85/4+P |
6.7 |
363 |
24 |
12/08 |
1892 Father Willis, Hereford Cath. Vol 1+2+3 |
GB |
Lavender Audio |
Romantic |
67/4+P |
7.5 |
535 |
24Mt |
12/07 |
1962 Verschueren, Grafhorst |
NL |
Virtual Pipes |
Romantic |
16/2+P |
0.9 |
40 |
24 |
12/07 |
American Classic Organ, composite |
US |
Etcetera Pipe Organs |
Romantic |
70/3+P |
4.5 |
187 |
24 |
12/06 |
1761 J. A. Silbermann, Arlesheim, Switzerland |
SW |
OrganART Media |
Fr. baroque |
36/3+P |
4.5 |
435 |
24MT |
12/04 |
1856 Mooser, Esztergom Basilica |
HU |
Inspired Acoustics |
Symphonic |
77/5+P |
28.0 |
450 |
24m |
12/04 |
1831 Batz/Witte, Domkerk, Utrecht |
NL |
Sonus Paradisi |
Romantic |
50/3+P |
9.0 |
539 |
24MST |
12/03 |
1985 Hendriksen en Reitsma, Daarlerveen |
NL |
Van den Akker |
Neo barok |
13/2+P |
1.3 |
28 |
24M |
12/03 |
1980 Grenzing, St Pierre Ménestérol |
FR |
Sonus Paradisi |
Baroque |
22/2+P |
2.3 |
70 |
24MS |
12/02 |
1925 Wangerin, Madison Masonic Center (dry) |
US |
Evensong music |
Romantic |
45/3+1 |
1.6 |
188 |
24 |
12/01 |
1755 De Backer, Gapinge, Nederland |
NL |
Voxus organs |
Baroque |
7/1 |
0.8 |
19 |
24M |
11/12 |
1887 Father Willis, Salisbury Vol 1+2+3 |
GB |
Milan digital audio |
Romantic |
65/4+P |
7.7 |
997 |
24MT |
11/12 |
1949 M.P. Moller Organ Opus 8060 (semi dry) |
US |
Organ Expressions |
Romantic |
23/2+P |
0.9 |
38 |
24 |
11/12 |
1732 Michael Engler, Krzeszow |
PL |
Sonus Paradisi |
Baroque |
50/3+P |
6.0 |
378 |
24MS |
11/11 |
Composite Father Willis Studio 70 |
GB |
Silver Octopus |
Romantic |
70/4+P |
7.3 |
380 |
24 |
11/11 |
2009 B. Formentelli, Rieti, San Domenico |
IT |
Sonus Paradisi |
Fr. baroque |
56/5+P |
7.2 |
492 |
24MS |
11/11 |
2008 Frantisek Vyhnalek (model of Ruckers) |
CZ |
Sonus Paradisi |
Harpsichord |
4 |
?? |
56 |
24 |
11/10 |
1732 A. Silbermann, Ebersmunster, France |
FR |
OrganART Media |
Fr. baroque |
29/3+P |
3.6 |
395 |
24MT |
11/09 |
1702 Caimari, Palma, Spain version 2 |
SP |
Sonus Paradisi |
Spanish |
34/3+P |
3.7 |
264 |
24M |
11/09 |
St Madeleine de Bagnoles de l'Orne |
FR |
Virtual Pipes Xport |
Fr. romantic |
24/3+P |
1.1 |
40 |
16 |
11/08 |
1892 Father Willis, Hereford Cathedral Vol 1+2 |
GB |
Lavender Audio |
Romantic |
46/4+P |
4.9 |
355 |
24Mt |
11/08 |
1892 Father Willis, Hereford Cathedral Vol 1 |
GB |
Lavender Audio |
Romantic |
23/3+P |
2.4 |
175 |
24M |
11/08 |
Marennes, France |
FR |
Virtual Pipes Xport |
Fr. romantic |
7/1 |
0.5 |
15 |
16 |
11/08 |
1885 Cavaille-Coll, St Etienne, Caen, V2 |
FR |
Sonus Paradisi |
Fr. romantic |
55/3+P |
6.1 |
640 |
24MS |
11/07 |
1979 Albert Fuhrer, Riddagshausen, Germany |
DE |
Pipeloops |
Neo barok |
32/3+P |
5.5 |
295 |
24MT |
11/06 |
1959 Tamburini, Santa Maria Nascente, Milaan |
IT |
Andrea Bonzi |
Unit |
20/2+P |
? |
80 |
? |
11/06 |
1714 Boizard, St Michel en Thierache, France |
FR |
Sonus Paradisi |
Fr. baroque |
31/4+P |
3.5 |
286 |
24MS |
11/05 |
1842 J. Batz, Hervormde kerk, Mijdrecht |
NL |
De HW consultant |
Romantic |
22/2+P |
2.1 |
40 |
16M |
11/05 |
2004 Ottes, Mostoles, Spanje |
SP |
Sygsoft |
Spanish |
24/3+P |
2.8 |
140 |
24M |
11/04 |
1762 Jordi Bosch, Santanyi, Spain (revision) |
SP |
Sonus Paradisi |
Spanish |
40/2+P |
3.6 |
298 |
24M |
11/02 |
1721 Schnitger, Zwolle version 2 |
NL |
Sonus Paradisi |
Baroque |
64/4+P |
8.0 |
599 |
24MS |
11/02 |
Composite Father Willis Studio 24 |
GB |
Silver Octopus |
Romantic |
24/2+P |
???? |
118 |
? |
11/01 |
2006 Pecsi-Muhleisen, Budapest (extended) |
HU |
Inspired Acoustics |
Large modern |
144/5+P |
16.7 |
1052 |
24M |
10/12 |
1735 Silbermann, Freiberg Surround |
DE |
Sonus Paradisi |
Baroque |
32/2+P |
6.9 |
479 |
24MS |
10/12 |
1654 Positif Organ, Griebenow Castle |
DE |
OrganART Media |
Baroque |
02/1 |
0.3 |
35 |
16M |
10/11 |
1775 Isnard, St. Maximin |
FR |
Sonus Paradisi |
Fr. baroque |
45/4+P |
5.8 |
480 |
24MS |
10/11 |
1587 unknown, Smecno |
CZ |
Sonus Paradisi |
Renaissance |
19/2+P |
3.4 |
132 |
24MS |
10/09 |
1630 L. Eekman, Midwolde, Groningen |
NL |
Sygsoft |
Baroque |
06/1 |
1.2 |
69 |
24M |
10/09 |
1675/1688 Huss-Schnitger, Stade |
DE |
OrganART Media |
Baroque |
42/3+P |
3.9 |
545 |
24Mt |
10/08 |
2007 Tomas Mocnik, Velesovo, Slovenia |
SI |
Sonus Paradisi |
Baroque |
38/2+P |
3.8 |
359 |
24MS |
10/08 |
1673 Mundt, Prague (version 2) |
CZ |
Sonus Paradisi |
Baroque |
35/2+P |
4.2 |
179 |
24M |
10/07 |
2006 Albert Baumhoer, Bielefeld Stieghorst |
DE |
Pipeloops |
Fr. romantic |
14/2+P |
2.0 |
105 |
24M |
10/05 |
1699 A. Starck, Zlata Koruna, Wet |
CZ |
Sonus Paradisi |
Baroque |
20/2+P |
2.7 |
78 |
24M |
10/05 |
2001 Grygar, Litomysl, Czech, Dry |
CZ |
Sonus Paradisi |
Large modern |
51/4+P |
1.6 |
197 |
24M |
10/05 |
1770 Nacchini-Dacci, St. Mauro in Izola |
SI |
Sonus Paradisi |
Italian |
10/1+P |
1.1 |
60 |
24MS |
10/05 |
Composite 'Romantic series' dry |
GB |
Silver Octopus |
Romantic |
64/3+P |
3.0 |
527 |
? |
10/04 |
1885 Cavaille-Coll, St Etienne, Caen, Dry |
FR |
Sonus Paradisi |
Fr. romantic |
55/3+P |
2.1 |
438 |
24MS |
10/02 |
1887 Father Willis, Salisbury Vol 1 |
GB |
Milan digital audio |
Romantic |
28/3+P |
3.7 |
461 |
24MT |
10/01 |
1922 Geo. Kilgen, Coffeyville, Kansas |
US |
Organ Expressions |
Romantic |
19/2+P |
1.2 |
150 |
24 |
10/01 |
1909 Rieger-Kloss Matyas, Budapest |
HU |
Inspired Acoustics |
Romantic |
85/5+P |
11.4 |
259 |
24M |
10/01 |
1995 Bamboe-orgel, Roeselare, Belgium |
BE |
Sygsoft |
Bamboe |
10/3+P |
1.0 |
44 |
24M |
09/12 |
1927 Rieger-Varga, Kispest, Budapest |
HU |
Inspired Acoustics |
Fr. romantic |
38/2+P |
6.1 |
129 |
24M |
09/11 |
1793 A. Reis, Rabstejn nad Strelou |
CZ |
Sonus Paradisi |
Baroque |
18/2+P |
2.2 |
132 |
24MS |
09/11 |
1719 Radeker/Garrels, Anloo |
NL |
Prospectum |
Baroque |
21/2+P |
1.5 |
69 |
24 |
09/10 |
1879 Van Oeckelen, Wirdum, Groningen |
NL |
Sygsoft |
Romantic |
08/1+P |
0.8 |
44 |
24M |
09/10 |
1741-1743 Hinsz, Bovenkerk, Kampen |
NL |
Milan digital audio |
Baroque |
55/4+P |
6.5 |
1047 |
24M |
09/09 |
1730 Trost, Waltershausen, Germany |
DE |
OrganART Media |
Baroque |
53/3+P |
3.4 |
595 |
24MT |
09/07 |
1901 Binns, Haverhill, Extended |
GB |
Lavender Audio |
Romantic |
59/3+P |
4.8 |
290 |
24M |
09/05 |
1741-1743 Hinsz, Bovenkerk, Kampen Vol I+II |
NL |
Milan digital audio |
Baroque |
41/4+P |
4.4 |
796 |
24M |
09/05 |
2006 Pecsi-Muhleisen, Budapest, Extended |
HU |
Inspired Acoustics |
Large modern |
92/5+P |
17.3 |
751 |
24M |
09/03 |
1874 Afgeleid van Schyven/Bever, Brussels |
BE |
Pipeloops |
Romantic |
28/2+P |
3.0 |
80 |
16M |
09/03 |
1844 Engelfried, Gonningen, Germany |
DE |
OrganART Media |
Romantic |
24/2+P |
2.2 |
295 |
24M |
09/03 |
1778 Pazicky, Pusztaszabolcs, Hungary |
HU |
Inspired Acoustics |
Baroque |
17/2+P |
5.4 |
74 |
24M |
09/03 |
1989 Composite 'Trio 20-24' dry |
GB |
Silver Octopus |
Romantic |
20/2+P |
0.7 |
108 |
? |
09/02 |
2006 Pecsi-Muhleisen, Budapest, Medium |
HU |
Inspired Acoustics |
Large modern |
45/3+P |
6.8 |
300 |
24M |
09/01 |
1741 Silbermann, Grosshartm., Germany |
DE |
Pipeloops |
Baroque |
21/2+P |
1.7 |
199 |
16M |
08/12 |
2006 Pecsi-Muhleisen, Budapest |
HU |
Inspired Acoustics |
Large modern |
92/5+P |
13.0 |
600 |
24M |
08/12 |
1904 Sauer, Dortmund |
DE |
OrganART Media |
Romantic |
40/3+P |
4.1 |
425 |
24M |
08/11 |
1901 Binns, Haverhill |
GB |
Lavender Audio |
Romantic |
42/3+P |
2.8 |
220 |
24M |
08/09 |
1778 Van Peteghem, Haringe |
BE |
Sygsoft |
Fr. baroque |
28/3+P |
3.2 |
224 |
24M |
08/09 |
1741-1743 Hinsz, Bovenkerk, Kampen Vol I |
NL |
Milan digital audio |
Baroque |
24/2+P |
2.7 |
461 |
24M |
08/07 |
1627-2000 Div., Forcalquier |
FR |
Sonus Paradisi |
Fr. baroque |
36/3+P |
3.8 |
312 |
24M |
08/06 |
1734 Hinsz, Leens |
NL |
Sygsoft |
Baroque |
27/2+P |
2.8 |
194 |
24M |
08/06 |
1748 Adam Ehrlich, Bad Wimpfen, Germany |
DE |
Prospectum |
Baroque |
26/2+P |
1.0 |
59 |
16? |
08/05 |
1915 Furtwangler and Hammer, Wustrow |
DE |
Dirk Menzenbach |
Romantic |
19/2+P |
0.3 |
95 |
16 |
08/05 |
1673 Mundt, Prague |
CZ |
Sonus Paradisi |
Baroque |
35/2+P |
2.5 |
239 |
24M |
08/04 |
1928 Skinner, Chicago, USA, Dry |
US |
Milan digital audio |
Romantic |
58/3+P |
3.9 |
520 |
24 |
08/03 |
1874 Schyven / van Bever, Brussel |
BE |
Pipeloops |
Fr. romantic |
62/3+P |
6.5 |
199 |
16 |
07/11 |
1903 Cavaille-Coll, Metz, France |
FR |
Milan digital audio |
Fr. romantic |
48/3+P |
3.4 |
671 |
24Mt |
07/11 |
1723 Schnitger, Duurswoude, Nederland |
NL |
OrganART Media |
Baroque |
10/1+P |
0.8 |
155 |
24 |
07/10 |
1959 van Leeuwen, Bolnes, Nederland |
NL |
Sygsoft |
Neo barok |
18/2+P |
1.9 |
84 |
24 |
07/04 |
1531 unknown, Krewerd |
NL |
Sygsoft |
Baroque |
07/1+P |
0.7 |
90 |
24 |
07/03 |
1600 Antegnati, Brescia, Italy |
IT |
Sonus Paradisi |
Italian |
12/1+P |
2.5 |
48 |
24M |
07/03 |
1680 Arp Schnitger, Cappel, Germany |
DE |
Milan digital audio |
Baroque |
30/2+P |
1.4 |
325 |
24 |
07/03 |
1691/1788 Garcia/Martinez, Castilla, Spain. |
SP |
OrganART Media |
Spanish |
26/1+P |
1.0 |
255 |
24M |
07/02 |
1704 Arp Schnitger, Eenum, Nederland |
NL |
Sygsoft |
Baroque |
10/1+P |
0.9 |
100 |
24 |
07/01 |
1686/1720 Bosch-Schnitger, Vollenhove |
NL |
OrganART Media |
Baroque |
27/2+P |
2.3 |
325 |
24M |
07/01 |
1966 Casavant Freres, Ontario, Canada |
CA |
Explenum Organum |
Neo barok |
45/3+P |
1.7 |
126 |
? |
07/01 |
1722 Silbermann, Rotha, Germany |
DE |
Milan digital audio |
Baroque |
11/1+P |
0.9 |
83 |
24 |
06/10 |
1721 Silbermann, Rotha, Germany |
DE |
Milan digital audio |
Baroque |
23/2+P |
1.3 |
275 |
24 |
06/08 |
1928 E.M. Skinner, Chicago, Wet |
US |
Milan digital audio |
Romantic |
58/3+P |
2.5 |
333 |
24 |
06/06 |
1854/1880 Ducroquet-Cav.-Coll, Aix, France |
FR |
OrganART Media |
Fr. romantic |
40/3+P |
3.1 |
325 |
16 |
06/04 |
1966 Schantz, Riverside, USA, composite |
US |
Evensong music |
Romantic |
49/3+P |
1.0 |
75 |
? |
06/04 |
1965 Marcussen, Moerdijk |
NL |
aH |
Neo Barok |
28/3+P |
1.3 |
25 |
? |
* The prices are converted from Dollars. For Dollar->Euro conversion I used '1 euro = 1.33 dollar'.
|
|
Downloadable (freeware, shareware, trial) Samplesets |
Many high quality trial sets are on: Sonus Paradisi free-stuff.
The most of the trial sets contains only a part of all stops but are usable as a complete organ.
Also Piotr Grabowski delivered nice sets.
Description / Download site |
Producer |
Type |
Size |
Hw license |
Onderhorst kabinetorgel |
Legro |
kabinetorgel |
6/1+P |
No |
Grenzing, Geneva |
Augustine |
Modern baroque |
25/2+P |
No |
Armagni and Mingot, Luins |
Augustine |
Modern baroque |
12/2+P |
No |
Baumgartner, Gelence |
Augustine |
Baroque |
7/1 |
No |
Mascioni, Hermance |
Augustine |
Baroque |
8/1+P |
No |
Stahlhuth positive/a> |
Augustine |
Baroque |
5/1 |
No |
2016 Mascioni, Azzio (Italy) |
Piotr Grabowski |
Italiaans renaissance/barok |
11/2+P |
No |
2008 Mascioni,St. Maria Assunta,Giubiasco |
Piotr Grabowski |
Neo barok |
22/2+P |
No |
2008 Stanislaw Pielczyk |
Piotr Grabowski |
Positiv |
3/1 |
No |
2004 Jacek Siedlar, Cracov |
Piotr Grabowski |
Romantic |
40/3+P |
No |
2012 Kaminski, Dluga Koscielna |
Piotr Grabowski |
Neo Barok |
22/2+P |
No |
1876 Wilhem Sauer, Skrzatusz |
Piotr Grabowski |
Romantic |
18/2+P |
No |
1887 Gradussen, Beckum |
Virtual Pipes |
Romantic |
7/1+P |
No |
1908 Paul Voelkner, Szczecinek |
Piotr Grabowski |
Romantic |
35/2+P |
No |
1703/1997-2006 Casparini/Mathis Sonnenorgel,Görlitz |
Sonus Paradisi |
Symphonic |
10/2+P |
No, *part |
1888 OLKMANN, Ledziny, St.Clement |
Piotr Grabowski |
Romantic |
11/1+P |
No |
2004 Cracov, St. John Cantius |
Piotr Grabowski |
Romantic |
40/3+P |
No |
Composite Cavaillé-Coll (St Omer, Caen, Rotterdam) |
JosQ |
French romantic |
52/3+P |
No |
Composite Surround Romer-orgel (St Omer, Rotterdam) |
Anton Heger |
Romantic |
48/3+P |
No |
1836-1839 Buchholz, Brasov |
Sonus Paradisi |
Romantic |
18/4+P |
No, *part |
1993 Walcker, Melcer Chamber Music Hall, Warschau |
Piotr Grabowski |
Neo Barok |
15/2+P |
No |
1855 Cavaillé-Coll, St. Omer, France |
Sonus Paradisi |
French romantic |
19/3 |
No, *part |
1590 Lorenz Hauslaib, Museu de la Musica de Barcelona |
Pere Casulleras |
Claviorganum |
4/2 |
No |
1737 Christian Zell, Museu de la Musica de Barcelona |
Pere Casulleras |
Harpsichord |
4/1 |
No |
2002 Grenzing, Escola Superior de Música de Catalunya |
Pere Casulleras |
Baroque |
11/2+P |
No |
2012 Kaminski, Dluga Koscielna, Polen |
Dluga Koscielna |
Neo baroque |
22/2+P |
No |
Zurek composite organ v5 |
Anton Heger |
Large modern |
62/3+P |
No |
Romantic composit Sonus Paradisi demos |
Augustine |
Romantic |
63/3+P |
No |
Baroque composit Sonus Paradisi demos |
Augustine |
Baroque |
73/4+P |
No |
Dutch Harmonium |
Augustine |
Harmonium |
|
No |
Ext. for 1916 Walcker, Doesburg, Nederland |
Anton Heger |
Romantic |
32/3+P |
No, *part |
1916 Walcker, Doesburg, Nederland |
Sonus Paradisi |
Romantic |
20/2+P |
No, *part |
1973 Marcussen, Laurenskerk, Rotterdam |
Sonus Paradisi |
Large modern |
24/4+P |
No, *part |
1831 Batz/Witte, Domkerk, Utrecht |
Sonus Paradisi |
Romantic |
12/3+P |
No, *part |
1980 Grenzing, St Pierre Ménestérol |
Sonus Paradisi |
Baroque |
?/? |
No, *part |
1732 Michael Engler, Krzeszow |
Sonus Paradisi |
Baroque |
15/3+P |
No, *part |
2009 B. Formentelli, Rieti, San Domenico |
Sonus Paradisi |
French Baroque |
10/3 |
No, *part |
1702 Caimari, Palma, Spain version 2 |
Sonus Paradisi |
Spanish |
6/1 |
No, *part |
1885 Cavaille-Coll, St Etienne, Caen |
Sonus Paradisi |
French Romantic |
17/3+P |
No, *part |
1714 Boizard, St Michel en Thierache, France |
Sonus Paradisi |
French Baroque |
8/1 |
No, *part |
1775 Isnard, St. Maximin, France |
Sonus Paradisi |
French Baroque |
10/1 |
No, *part |
1587 Onbekende orgelbouwer, Smecno, Czech |
Sonus Paradisi |
Renaissance |
13/1+P |
No |
1673 Mundt, Prague |
Sonus Paradisi |
Renaissance |
25/2 |
Yes, **** |
1699 A. Starck, Zlata Koruna |
Sonus Paradisi |
Baroque |
6/2+P |
No, *part |
1735 Silbermann, Freiberg |
Sonus Paradisi |
Baroque |
5/1 |
Yes, *part |
2007 Tomas Mocnik, Velesovo, Slovenia |
Sonus Paradisi |
Modern Baroque |
10/2+P |
No, *part |
1721, Arp Schnitger, Zwolle |
Sonus Paradisi |
Baroque |
11/4+P |
No, *part |
Cembalo Ruckers |
Sonus Paradisi |
Cembalo |
2/2 |
No, *part |
1887 Father Willis, Salisbury |
Milan digital audio |
Romantic |
28/4+P |
No, **** |
1741-1743 Hinsz, Kampen, Netherlands |
Milan digital audio |
Baroque |
24/2+P |
No, **** |
1901 James Jepson Binns, Haverhill |
Lavender Audio |
English Romantic |
10/2+P |
No, *part |
1809 Joseph Hart, Little Waldingfield, Suffolk, England |
Lavender Audio |
English |
20/2+P |
Yes |
1888 Father Willis, Groton, Suffolk, England |
Lavender Audio |
English |
08/2+P |
Yes |
1600 Antegnati, St. Carlo, Brescia, Italy |
Sonus Paradisi |
Italian |
12/1+P |
No |
2007 Prib Chamber Organ |
Sonus Paradisi |
Chamber organ |
05/1 |
No |
2005 Mietke harpsichord |
Sonus Paradisi |
Harpsichord |
06/1 |
No |
'Zlata Koruna mini' derived sampleset |
Sonus Paradisi |
Baroque |
05/1+P |
No |
1903 Ernst Röver, Ditfurt |
Pipeloops |
Romantic |
33/2+P |
No, * |
1979 Albert Fuhrer, Riddagshausen, Germany |
Pipeloops |
Neo Baroque |
7/2+P |
No, * |
2006 Albert Baumhoer, Bielefeld Stieghorst |
Pipeloops |
French Romantic |
14/2+P |
No, * |
1741 Silbermann, Grosshartmannsdorf |
Pipeloops |
Baroque |
21/2+P |
No, * |
1874 Schyven/vBever, Notre Dame de Laeken |
Pipeloops |
French Romantic |
61/3+P |
Yes, * |
1874 Schyven/vBever, ND de Laeken (Small version) |
Pipeloops |
French Romantic |
28/2+P |
No, * |
1846 Cavaille-Coll, Sainte-Madeleine, Paris |
Pipeloops |
French Romantic |
04/2+P |
No, ** |
Virtual steamboat calliope |
Pipeloops |
Calliope |
01/1 |
No, *** |
Father Willis Studio 70 |
Silver Octopus |
English |
70/4+P |
No, * |
1981 Martin Bezemer harpsichord |
Sygsoft |
Harpsichord |
03/1 |
No |
1741 Muller, Oosterwijtwerd, Holland |
Sygsoft |
Dutch Baroque |
08/1+P |
No |
1925 Madison Wangerin Lodge |
Evensong music |
Romantic |
15/2+P |
No |
2003 Dieter Ott chamber organ |
Christian Datzko |
Chamber organ |
05/1+P |
No |
Prudhoe Methodist Church, Northumberland, UK |
Mark Beverley |
English |
09/2+P |
No |
1929 St. Augustine's Anglican Church |
Nicholas Appleton |
Australian |
12/2+P |
No |
1877 Charles Jackson, St Stephen's |
Nicholas Appleton |
Australian |
14/2+P |
No |
1913 Walcker, Wildervank |
Virtual Organs.nl |
Romantic |
25/2+P |
No |
1865 Van Oeckelen, Oude Pekela |
Virtual Organs.nl |
Romantic |
19/2+P |
No |
1992 Kaat en Tijhuis, Veendam |
Virtual Organs.nl |
Neo Baroque |
25/2+P |
No |
Positief St. Maria Nordheim |
Prospectum |
Positief |
4/1 |
No |
1876 Wilhelm Sauer, Skrzatusz |
Skrzatusz |
Romantic |
19/2+P |
No |
1856 Mooser, Esztergom Basilica |
Inspired Acoustics |
Symphonic |
16/2+P |
No, * |
2006, Pecsi-Muehl., Budapest |
Inspired Acoustics |
Symphonic |
15/2+P |
No, * |
1778 Pazicky, Pusztaszabolcs, Hungary |
Inspired Acoustics |
Symphonic |
17/2+P |
No, * |
Barton 3-12 |
South African VPO |
Theatre |
? |
No |
Freedom Morton 2/6 |
South African VPO |
Theatre |
? |
No |
Brut-Leuchten Orgel |
Zion organ |
Composite Baroque |
29/2+P |
No |
Walcker opus 1747, 2013 modification |
Al Morse |
Romantic |
30/3+P |
No |
Ext. for 1959 Marcussen Rotterdam Transept. |
Al Morse |
Neo barok |
36/3+P |
No, *part |
Ext for 1885 Caen Cavaille-Coll. |
Al Morse |
Modern |
64/3+P |
No, *part |
Pitea School of Music |
Al Morse |
Modern |
35/3+P |
No |
Ext. for 1973, Marcussen, Rotterdam Demo |
Al Morse |
Modern |
37/3+P |
No, *part |
Ext. for 1980, Grenzing, Menesterol |
Al Morse |
Baroque |
37/3+P |
No |
Ext. for 2007, Mocnik, Velesovo |
Al Morse |
Baroque |
49/3+P |
No |
Ext. for 1973, Marcussen, Rotterdam Demo |
Anton Heger |
Modern |
31/3+P |
No, *part |
Ext. for 1885 Cavaille-Coll, St Etienne, Caen Demo |
Anton Heger |
Modern |
29/3+P |
No, *part |
2010 Wurlitzer 310 |
Paramount |
Theatre organ |
10/3+P |
No |
Diatonic Accordion |
Soni Musicae |
Diatonic Accordion |
02/1 |
No, *hw1 |
Mellotron |
Pipeloops |
Mellotron |
01/1 |
No |
Ghent Belfry Carillon |
Soni Musicae |
Carillon |
01/1 |
No, *hw1 |
Italian Spinet |
Soni Musicae |
Spinet |
01/1 |
No, *hw1 |
1988 House Organ (Orgue de salon) |
Soni Musicae |
Chamber organ |
05/1 |
No, *hw1 |
Small Italian Harpsichord (17th) |
Soni Musicae |
Harpsichord |
03/1 |
No, *hw1 |
French Harpsichord after Blanchet (18th) |
Soni Musicae |
Harpsichord |
03/1 |
No, *hw1 |
French Harpsichord Double after Taskin (18th) |
Soni Musicae |
Harpsichord |
03/2 |
No, *hw1 |
1843 Stiehr-Mockers, Romanswiller, France |
Jeux d'orgues |
French Baroque |
21/2+P |
No |
Alexander Országh orgel, (1901) Monor nabij Budapest |
Augustine |
Hongarian |
16/2+P |
No |
Joseph Angster orgel in St. Louis (nabij Budapest) |
Augustine |
Hongarian |
12/1+P |
No |
Combination of Wildervank, Pekela, Veendam |
Augustine |
Dutch |
89/4+P |
No |
Comb. of Burea Funeral, Burea Church, Burea Choir, Pitea |
Augustine |
Swedish |
83/3+P |
No |
Burea Church, Sweden |
Lars VPO |
Swedish |
33/3+P |
No |
Burea Funeral Chapel, Sweden |
Lars VPO |
Swedish |
6 |
No, *GO |
Kalvtrask Church , Sweden |
Lars VPO |
Swedish |
22/2+P |
No, *GO |
Jorgensen Tribute Organ |
Magne Nilsen |
Norwegian |
30/2+P |
No |
Hw license If a Hauptwerk License is needed. When it is No then the sampleset works also with the 'Free version'.
* This trial version will periodically mute the sound for a few seconds.
** This trial version will stop working after about 75 seconds, after which the set needs to be reloaded.
*** This Calliope trial versions contain only two samples/octave
**** Limited compass
*part This trial version is fully working, only a part of the stops is available.
*hw1 Is a Hauptwerk 1 / MyOrgan / GrandOrgue sampleset, can be imported into Hauptwerk.
*GO Is a GrandOrgue sampleset, can only be used with GrandOrgue.
Free extensions can you find at:
No Hauptwerk, no church organ, but free, nice and entertaining: VirtualOrgan.com: Miditzer Style 216 Theatre organ.
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Sampleset choice |
Apparently it seems that a lot of Hauptwerk lovers have a strong preference for a specific sampleset producer.
Sometimes there are fierce reproaches on the forums between supporters of one producer to the (lovers of) other producers.
Indeed, there are differences between the samplesets of the several suppliers,
but I experience pleasure during playing samplesets of different producers and have no need to gather myself to a particular 'supporters group'.
Generally (!!!) speaking:
- Milan Digital Audio has recorded the organs on a bit distance (I estimate on more than 6 meter from organ).
- The organs of Sonus Paradisi and OrganArtMedia are more nearby (direct) recorded (I estimate on less than 6 meter from organ).
- Also Inspired Acoustics have their own approach, with their own 'spatial control' and CSA cathedral acoustics.
It's hard to choose a suitable sampleset.
There are a lot of organs, the quality is different and each organ has its own characteristics.
Furthermore sounds not each sampleset on every configuration the same.
The following considerations play a part in the choice:
- Do I want Wet (sampleset with reverberation) or Dry (sampleset without reverberation)?
The differences between Wet and Dry are described on: Requirements/Wet Dry.
- Do I like the recorded organ?
The most important thing is that you like the recorded organ.
The opinions are enormous different about, for example, the sampleset of the old Schnitger organ in Cappel (MDA).
Some people judged it as a terrific top sampleset, others don't have pleasure when they played the set.
The same applies for e.g. the sampleset of Prague Baroque (Sonus Paradisi), Duurswoude (OAM), PAB (Inspired Acoustics) and Leens (Sygsoft),
the appreciations are substantial different (source: some forums, mails and visits).
It is for a large part everyone to his own taste and a difference in audio-configuration that explains these differences.
Do you want?
- Much reverberation / less reverberation.
When you listen with headphone or with two good Active Speakers, sounds (with my ears) a sampleset with much reverb better.
But when you listen in a configuration with a lot of speakers in a greater room, sounds a sampleset with less reverb better.
- Baroque / Romantic / Symphonic.
- Great cathedral organ / more intimate organ.
- French / German / English / Dutch / Italian / Spanish / Hungarian / American, etc.
Look to the disposition and listen to the mp3 examples.
- Technical quality.
- For an organ with reverb are 'multiple releases' samples very important.
For an organ with less reverb this is less significant.
- Is the sound clear or dull / lusterless? Mostly you can hear that on the mp3 examples.
- Are the recordings 'detailed'?
- Is there a good stereo balance'? It is nice when you hear some pipes more 'left' and others more 'right'.
- Is there a lot of noise on the samples and reverb? This is usually not annoying when you have the 'organ wind motor' on.
- Generally speaking are the most recent samplesets better (technical) than samplesets of some years ago.
- Practical quality.
- Are there license restrictions, e.g.: Not allowed to use in a church or not allowed to publish recordings. Check this on site of sampleset producer.
- Direct (nearby) recorded, or a bit on distance?
The advantage of 'direct' is that you can hear more details, e.g. the 'blowing' of a pipe.
This is very nice, certainly when you select only some stops.
In addition is 'nearby recorded' more suitable for study, details are more noticeable.
The advantage of 'on distance' is that a plenum or tutti sounds better, the stops mix better and it looks like more a average cd-recording.
- How fits a sampleset to my computer? Most important is the amount of RAM usage.
- Compass of manuals/pedal, a lot of baroque organs have only 4 octaves with as highest note a c'''.
Sometimes offers a sampleset producer an 'extended version' with extended manuals.
- Very user friendly stops tab page like Maximin extended.
- The contrast between on/off for stops must be very clear (like Forcalquier).
- Are two touch screens supported with different registration screen for Left and Right?
- Are there sufficient combination stops.
- Is the disposition usable for different types of music.
- Is it possible to read and change the ODF (Organ Definition File)?
- Is CODM (Custom Organ Design Module) possible?
- 1280x1024 as standard screen size
- Ultra Realistic stops screen like Georgenkirche (with pull out of the stop knobs).
- Configurable crescendo (like Skinner, PAB).
- Blower page (like Zwolle, Freiberg and other new sets of Sonus Paradisi).
- Pre-configured (by sampleset producer) combination stops.
- Real time on/off button for Keyboard/pedal sounds and Blower (like Oosterwijtwerd).
- The price of a sampleset.
The samplesets of Milan Digital Audio have a favorable Dollar -> Euro conversion.
Inspired Acoustics offers a 50% academic discount.
The advantage of OrganArt is that you can try te samplesets for two weeks and may send back (for small fee amount).
A lot success with this difficult choice!
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